Merlot Tone Dust (#B47E87) belongs to the red family — hue 350°, 26% saturation, 60% lightness. Copy the hex, RGB, or HSL value above, or paste the CSS custom property below into your stylesheet to reference this color directly.
:root { --colorarchive-merlot-tone-dust: #B47E87; --colorarchive-merlot-tone-dust-hsl: hsl(350, 26%, 60%); --colorarchive-merlot-tone-dust-rgb: rgb(180, 126, 135); }
Let AI suggest alternative poetic names for this color in English and Chinese.
Food & Beverage · Entertainment · Retail
White for high contrast CTAs, dark navy for sophistication, or gold for luxury
Best for call-to-action buttons and sale banners. Use sparingly — red as a primary color can feel aggressive; as an accent, it commands attention.
Red is universally associated with energy and action. In China, it signifies luck and prosperity. In Western markets, it drives urgency in sales.
The first pigment, the loudest signal.
Red is the oldest pigment in the human visual record. Ochre reds appear in burial sites from 75,000+ years ago; Roman red lead (minium) lit Pompeian walls; cinnabar drove a millennium of trade across Asia and the Mediterranean. Madder, kermes, and cochineal — the three classical reds — built fortunes and emptied empires before synthetic alizarin arrived in 1869 and collapsed the price overnight.
In China red signals fortune and weddings, painted on doors and lanterns and given in money envelopes. In much of South Asia red is the bridal color (saris, sindoor) for the same reason. Western traditions split red between love (Valentine's) and danger (stoplights, balance sheets). Across the Christian liturgy red marks martyrdom and Pentecost; across cinema it has long marked the femme fatale.
Coca-Cola has used essentially the same red since 1886. Netflix and YouTube engineered their reds to pop maximally on dark UI. Christian Louboutin trademarked a single red — Pantone 18-1663 — on the soles of his shoes. Ferrari's racing red began as the Italian national racing color (Rosso Corsa). Nearly every emergency stop button on every machine ever made is red, and the convention is so universal it functions as international iconography.
Red advances. On a page it draws the eye first; in a UI it implies destructive action or urgent state. Increasing saturation pushes it toward warning; reducing saturation moves it toward earthen, terra-cotta, comfort. Pairing red with white reads as energetic and consumer-facing; pairing it with black reads cinematic and luxurious; pairing it with cream reads as heritage or hospitality.
A grounded mid-tone — sober, considered, well-suited to body text accents, editorial layouts, or any context where restraint reads as quality.
Lightness band: At mid-lightness the hue carries its full character. This is the band where most identity colors live: bright enough to be distinctive at small sizes, deep enough to sit cleanly on a white canvas.
Saturation band: The low saturation pulls this color toward earthen, vintage, or editorial palettes. It reads as confident and grown-up rather than playful, and it tolerates being used in large blocks without becoming visually noisy.
Within the public brand-guidelines reference catalog, these are the closest matches to #B47E87.
From the cultural-palette catalog, these regions feature a color close to #B47E87.
Instead of stopping at one swatch, use nearby, opposite, and tonal neighbors to branch into a broader palette.
Base: Merlot Tone Dust #B47E87 Lighter companion: Merlot Silk Dust #C3989F Darker companion: Merlot Radiant Dust #A86B75 Complementary counterpoint: Lagoon Tone Dust #7EB4AB Analogous lead: Vermillion Tone Dust #B48C7E Analogous echo: Blush Tone Dust #B47E99 Triadic +120°: Leaf Tone Dust #87B47E Triadic +240°: Indigo Tone Dust #7E87B4 Split-comp +150°: Seafoam Tone Dust #7EB490 Split-comp +210°: Azure Tone Dust #7EA2B4
See how Merlot Tone Dust compares side by side with related colors.
The closest archive matches by hue, saturation, and lightness.
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How this color appears with different color vision deficiencies.
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